Thursday, July 31, 2008

Koihime Musou -- Character Pics and Info

This season's most outrageous show is Koihime Musou. It reworks stories from the Romance of the Three Kingdoms (Sanguo Yanyi 三国演义), but as comedy, and with an all-female cast.

Cao Cao is a short girl with ringlets (picture at right), and hairpins in the shape of skulls. Guan Yu is a big-breasted young wanderer with long black hair. Xun Yu is a girl so devoted to Cao Cao that she follows Cao Cao's orders to lick the sweat off her when she returns from battle. Get the picture? The show is moe, yuri, ecchi, and hilarious, through four episodes. Especially in the way the stories and characters are all related to the stories in the novel...like reflections in a fun-house mirror.

But as with any version of the Three Kingdoms, it is hard to keep track of all the characters. So I have started a page with pictures of each character, giving their names in Chinese and Japanese, and including brief biographies, as they show up, episode by episode, on the official site.

This show may fall apart, or become too ecchi. But so far, the stories are entertaining in themselves, and the way the characters parallel the ancient heroes is really funny. I drop every Ikkitousen series after an episode or two, but this show has my attention.

The writer is Go Zappa, who did not reach me with Myself;Yourself or Chokotto Sister, but who is making me laugh this time. The director, Nakanishi Nobuaki, directed Sumomo mo Momo mo and Kashimashi. He carries on here with the suggestive humor of Sumomo and the gender-bending of Kashimashi, all set in a world reminiscent of Saiunkoku.

Below is a part of the character page, just to show what kind of information is included. In this show, each character has a nickname in addition to their real names. Zhang Fei, a loli rascal who opens the show leading a band of village children in acts of vandalism, is known as Rinrin, for example.

You'll notice very few familiar seiyuu names. The cast is made up of seiyuu from the game, people who do more games than anime.



Having seen a Chinese classic trashed in this way, I now look forward to an all-female Julia Caesar. Or an all-male Gone With the Wind. This kind of parody is also a great homage, it seems to me.
Read full post...

Thursday, July 24, 2008

Mizuki Nana, Hirano Aya to Star Together in "White Album"

Mizuki Nana and Hirano Aya will star together in White Album, an idol anime to air beginning in January 2009.

The anime is based on a PC game of which a PS3 version will also come out next year. The story involves Yuki (Hirano, in red), a new idol whose career increases the distance between her and her boyfriend. Rina (Mizuki, in white) is already a top idol, and the show will follow the evolution of the relationship between the two.

The story is set in 1986, during the Japanese "bubble" period. The economy was about to reach its peak for a while and then crash.

This is being billed as a "dream battle" between the two seiyuus. Here's hoping it brings their fans closer together, rather than driving them even further apart. No doubt the producers expect a bonanza from character CDs.

Since their singing styles are so different -- Nana's is much more polished and Aya's rocks more -- I look forward to seeing whether the music producers can make this combination work. The same goes for their acting styles, with Nana's more conventional and Aya's more idiosyncratic and harder for other seiyuus to blend in with. Here's hoping this will be a fruitful combination rather than a disastrous one.

Seven Arcs (Nanoha, Sekirei) will be the company in charge of animation production. Director will be Yoshida Taizou 吉田泰三, who did key animation on Eureka Seven and other shows, and storyboarded and directed several episodes each of Nanoha StrikerS and Otogijushi Akazukin, but who is a first-time director here. Music by Elements Garden.

Here is a Japanese site describing both the game and the anime.
Read full post...

Tuesday, July 22, 2008

Hirano Aya's Riot Girl #6 For First Week

"Really!!?
Oricon weekly ranking...#6!!!?
( ̄□ ̄;)!!( ̄□ ̄;)!!( ̄□ ̄;)!!
Party!!!
That's so great, everyone!!
Thank you ゜+。(*′∇`)。+゜
The first album in my life at #6...
It's thanks to all of you.
And the staff worked so hard.
Really, thank you so much."

-- from Hirano Aya's blog this morning

I've now had a chance to listen to the album a few times, and I like it. I'd like to have seen unnamed world on it, but I basically like all the new material and most of the old.

She doesn't have a "pretty" voice, but there is actually a lot going on in the way she phrases and inflects the lyrics. And she can rock.

My own favorites on the album? For You, with its swinging energy and emergent melody. The sad joy of Yorokobi no Uta. The way Aya's voice matches the grinding force of the music in Harmonia Vita. And Aya proves, contrary to my expectation, that her voice can handle a ballad in Hoshi no Kakera. Even Aimai Scream/My Ice Cream is cute, and really gets rocking toward the end. And I've always liked Neophilia and Maybe I Can't Goodbye. But my favorite Aya song remains the Uma Kamen theme from the third Sumomo mo momo mo character CD. About the only song on the new album that I don't much enjoy is the title track.

Want a hug? I think she's in the mood to give them today.

The comparatively high placing of this album does have something to do with this being a week in which none of the top acts released albums, as j1m0ne has pointed out, but I think Aya will take it, anyway.

Hers is not a style of singing -- or a quality of voice -- that can appeal to fans of more mainstream acts like Mizuki Nana or Chihara Minori, but I personally play more Hirano than either of them.

Just as j1m0ne, in her full review of this album, complains about the accompaniment overpowering Aya's voice, that's how I feel about the treacly, overblown arrangements favored by Nana-chan. The music of those two singers, both more skilled and popular as singers than Aya is, tends to bore me. Tastes differ. Whether Aya can sing as enjoyably live as post-processed, however, is another matter, as j1m0ne says.

Here is the Lantis page for the album. Here is amazon.com. The new rankings haven't yet shown up on the Oricon website, so I am trusting that Aya got correct information. Here is a fuller listing from 2channel:

*1 41,251 KimaGuren
*2 40,866 GReeeeN
*3 38,764 TUBE
*4 29,925 Koi no Uta
*5 29,303 Ayaka
*6 22,919 Hirano Aya
*7 21,969 ELLEGARDEN
*8 21,128 B'z
*9 20,690 ORANGE RANGE
10 14,502 Ketsumeishi

j1m0ne says that Hirano should be aiming to get a final total of 25-30,000 in sales to be in the same range as major idol seiyuu like Tamura Yukari or Horie Yui. With almost 23,000 units sold in the first week, she's well on her way to at least that number.
Read full post...

Monday, July 21, 2008

New Shows -- 2channel Popularity

It's hard to judge, since totals for earlier seasons of the same shows may be bumping up their numbers, but it looks as if Strike Witches and Slayers Revolution are the runaway most popular new shows on 2channel. Zero no Tsukaima may be up there, too.

Strike Witches has over 44,000 posts. I suspect some but not too many of these were for the original short OVA. The nearest after it is Slayers Revolution at 26,000, and some of its posts may have been for the original series, too.

The same goes for Zero no Tsukaima, at 174,000 posts. It had two recent popular seasons, so it's just about impossible to tell how many posts it has this time, since old threads are deleted from the public servers. Hidamari x365 has 81 threads, but many of those are also probably for the original season.

Of shows we can be fairly certain of, Sekirei has over 7000 posts; Telepathy Shoujo Ran and Tetsuwan Birdy Decode have over 6000; and Koihime and Someday's Dreamers~Summer Skies~ have over 5000.

Looking back at last season, it looks as if Code Geass R2 and Macross Frontier are the most interesting to 2channelers. Of the 817 threads (i.e., over 816,000 posts) for Code Geass, there are records indicating that almost 400 are for the current season. Macross Frontier has 274 threads. Of other spring shows, Zettai Karen Children is running first, at 34 threads, with Blassreiter surprisingly close behind, at 31. Soul Eater has 26 and ToLoveRu has 25.

Of course, these numbers are for otaku-centric 2channel. Actual TV ratings tell a far different story. According to Siegel_Clyne's posts on AnimeSuki, the top new show there is Antique Bakery, followed by Telepathy Shoujo Ran, which airs on Saturday mornings. For the spring season, Net Ghost Pipopa and Zettai Karen Children are the most watched.

Despite the fact that I am a big fan of Hirano Aya, I don't have much use either for Zettai Karen as a show or for her performance in it. Just shows how wrong I can be, lol.

Anyway, here is the raw 2channel data. Maybe you can tease more info out of it. The numbers are the number of the current thread for each show. Threads are closed when they reach 1000 posts.

shows with previous seasons
Code Geass R2 817
Macross F 274
Zero no Tsukaima Rondo 175
Yes! PreCure 5 Gogo 162
Hidamari Sketch x365 81
Strike Witches 45
Slayers Revolution 27
XxxHolic 2 22
Angelique Abyss 2 8


spring 2008 shows
Zettai Karen Children 34
Blassreiter 31
Soul Eater 26
ToLoveRu 25
Real Drive 22
Wagaya no Oinarisama 17
Kyouran Kazoku Nikki 16
Blue Dragon Seven Dragons 14
Nijuumensou no Musume 12
Nabari no Ou 10
Allison to Lillia 9
Golgo 13 9
Itazura na Kiss 8
Candy Boy 7
SA Special A 6
Kaiba 5
Net Ghost Pipopa 4
Chi's Sweet Home 4
Onegai My Melody Kirara 3
Kyou kara Mao 3
Ikkitousen Great Guardians 3

summer 2008 shows
Sekirei 8
Telepathy Shoujo Ran 7
Tetsuwan Birdy Decode 7
KoiHime 6
Someday's Dreamers 2 6
Natsume Yuujinchou 5
Nogizaka Haruka 5
Ryouko's Case File 3
World Destruction 3
Mission E 3
Blade of the Immortal 2
Ultraviolet Code 44 1
Read full post...

Wednesday, July 16, 2008

Hirano Aya's First Album Breaks In At #2

Young Jump photo featureHirano Aya's first album, Riot Girl, has broken into the charts at #2 for its first day, with sales of 4333 units.

Paradiso
, by Tube, is #1, with sales of 7500; and Kimaguren's Zushi is #3, with 4200.

The cut Riot Girl (video) was chosen as the ED for a new anime music TV show on TV Tokyo called Anisong Plus, which shows every Monday night at 2:30 am, and started on July 7. (mouseover photos for captions, click to enlarge)

What else has Aaya been doing lately, you ask? Even if you don't ask, I'll tell you.

She had two days of live performances with her Zettai Karen Children cast-mates at the summer World Hobby Fair in Tokyo last weekend. She is one of a small group of top seiyuus working with Exile in an anime built around that top Japanese pop group. And she is starting her second movie-dubbing job, the 2005 family space adventure Zathura.

Aaya on stage at World Hobby FairThe Zettai Karen group of Aya, Shiraishi Ryouko, and Tomatsu Haruka performed mini-lives on Saturday and Sunday at the summer World Hobby Fair. This is a big show of figures and models held twice a year in Tokyo. In her blog, Uryocchi (Shiraishi Ryouko) commented what great legs both Aaya and Haruka have. They will also appear at the Sapporo version on July 21.

And on Monday, the new anime Exsamurai エグザムライwas unveiled to a select crowd of 1600 Exile fans. The anime is a kind of future samurai feature, set in "Roppongi Hell City" in 2718, with characters based on and played by members of the group.

World Hobby FairExile is one of the most popular Japanese pop groups, with seven members, all male, and numerous top hits since 2001. The anime is produced by Hiro, the group's leader, and directed by Abe Yuuichi, the director of Gundam Evolve, SD Gundam Force, and the Prince of Tennis live-action movie.

Aya was impressed with how many people were in the audience. Another league up from her own popularity as a singer. She and Takeuchi Junko (who is also in the anime, and plays Naruto in Naruto) were there. Miyano Mamoru is also in the anime. There is a preview episode (without Aya) on Nico Nico Douga. The anime will be included with an Exile album to be released 23 July. The Exile members' voice-acting was surprisingly not horrible. Not great, but not horrible.

Takeuchi Junko and Hirano Aya, with Exile and director AbeThis week as well, Aya begins work dubbing the 2005 US feature film Zathura. She voices Kristen Stewart's character, Lisa. "Two young brothers are drawn into an intergalactic adventure when they, their elder sister, and their house are magically hurtled through space because of the board game they are playing." This is only her second dubbing job.

And Aya is all over the magazines this week. A highly-anticipated photo feature in Young Jump Weekly comes out today. She's also in Seiyuu Grand Prix, Voice Newtype, Animedia, Pick-up Voice, Up to Boy, and Free Paper right now.

She continues as a seiyuu starring in the wonderful Daughter of Twenty-faces and the forgettable Zettai Karen Children, and also with a role in Macross Frontier, as Meena.

LATE NEWS: Aya has posted pics of a little guerrilla marketing she did this morning, making a tour of Akihabara shops, signing displays and encouraging sales. She was at Asobit, Ishimarusoft, Animate, Gamers, and Toranoana, where she climbed into the window and signed show-window displays -- then was photographed from outside by passers-by and by the staff. In her blog, she thanked the store staff for their cooperation and apologized to the stores she didn't get to.




Read full post...

Sunday, July 13, 2008

Daughter of Twenty-Faces -- ep13 summary

Star-Crossed has a good post on this episode -- that is, one I agree with, lol -- but he/she didn't give a full summary, and I have one I made for a forum, so I thought I'd just post it here, with some screencaps.

This show continues to blow every other spring show (except maybe Macross Frontier) completely out of the water, for me. Summary first, then some comments.




summary

NJM (Nijuumensou = Twenty-Faces) and Ken have a motorboat and follow White-Hair and Chiko. Their boat isn't fast enough to catch up. WH takes Chiko on board a big zeppelin. She tells Chiko: "Isn't it beautiful? This is the place of your death." The zeppelin is supposedly for publicity for a film -- the film they were making on the island, when the director was killed -- and they are letting people on board for a celebration. WH watches NJM and Ken board the airship and is pleased they have fallen into her trap.

The guests are given wine to toast the event. It is poisoned and they all die, coughing blood, except NJM and Ken, who didn't drink. WH reveals herself to them and disappears. Ken wants to chase her, but NJM says she's his, and he has other work for Ken.

White-haired demon on the operating table getting her superbody


Meanwhile, NJM has found WH in her cabin. We find out that she was a researcher working under him and they were in love. At a certain point, however, NJM decided that their work on super-weapons was wrong and decided to burn the lab down. She was shattered, since the lab was what brought her together with him. She continued to get operations to give her the super-body she now has, despite the incredible pain it caused her, in part because she instinctively felt he would praise her for her devotion to research, as he did before. But he ends up calling her a "monster."

She asks him why he chose Chiko instead of her, and he says he didn't choose Chiko, Chiko chose him. She asks what would happen if Chiko didn't exist, and starts to plunge a knife into a large suitcase beside her, as if Chiko is in it. He shoots her dead. But when he opens the suitcase, he finds that the real (naked) WH is inside it, not Chiko, and he has been conversing with a fake. She says that Chiko is in the sky, like them -- and we see that Chiko is trussed up and hanging from a rope beneath the zeppelin. And the expression on her face is viciously angry. Great image, like her expression when she started after WH in ep12.

Ken finds the many bombs WH has rigged to destroy the airship. He starts defusing them, but there are too many.

Meanwhile, Akechi has shown up in the cavern and gets the fat detective, Tome, and Shunka back to shore. Then he takes off to find Chiko and NJM. He realizes they must be in the zeppelin and with binoculars he sees Chiko dangling there.


'I am the Daughter of Twenty-faces'

WH wants NJM to go back with her to the way things were, and to join her in death. While NJM and WH fight, with WH gaining the upper hand, Chiko remembers the gang, how the Skipper said never to give up, how Muta said it was useful to be able to dislocate your joints sometimes, how her fighting trainer said her strong point was her lightness rather than the strength she doesn't have, and how the plump guy said when you are tied up, you try to release one finger at a time.

Chiko gradually works her way out of the ropes. Just as WH is about to kill NJM, she appears in the cabin behind her. WH is shocked she got there, but Chiko says, with pride: "I am the daughter of Twenty-Faces." She picks up a gun and is about to shoot WH, but NJM stops her.

The fight continues, and WH gains the upper hand over both of them. She is about to kill Chiko, but NJM says she has him, Chiko isn't part of this. Then WH (conveniently) dies from her body-modifications just as she is about to kill NJM.




NJM takes her body to the exit ramp, walks down it and lets her body fly off, falling into the ocean. Chiko comes down the ramp to embrace NJM and ask him to let her be with him always. He is replying to this carefully when explosions rock the ship, and they are thrown off into space together. NJM pushes Chiko back onto the gangway, where Ken comes up and catches her. NJM asks Ken to look after her as he sinks out of sight. We see WH's body underwater, with her thoughts that she is alone again -- then she realizes that NJM is coming too, and is happy.

Next week is still in the airship, as Ken tries to pilot it to safety. We see Chiko in a hospital bed, so she survives (duh).

Can NJM survive? If this were reality, no, but in this show, you never say never. He may have found a parachute before he entered WH's cabin.

comments

A number of scenes really hit me. The expression of pain and hatred on Chiko's face as she swung there under the zeppelin. The romantic scene between NJM and WH when they were researchers together. NJM walking away from her through the flames. The brief but intense and creative fights in the cabin. The scene of White-Hair on the operating table. The way her body lightly flies away when NJM lets her go from the ramp. Chiko with a gun pointed at WH, saying "I am the Daughter of Twenty-Faces."

There were two great screams: Chiko's when she saw NJM falling toward the sea (Hirano Aya), and WH's when she was being operated on (Tanaka Atsuko). I was also struck by how much Satou Rina (Shunka) sounded like Hirano Aya in her brief scene early on. The seiyuu are learning from each other.

I thought the CG zeppelin worked well with the 2D backgrounds.

This show continues to give us the gift of minor errors by the protagonists that lead to disaster. Ken didn't tell NJM and Chiko about the coming explosions right away when he saw them. That might have allowed them to avoid being thrown off the steps. Chiko rushed up to NJM on the steps and embraced him, meaning that neither of them was holding on. These are amazing people, but always with faults.

My understanding has been that the first half of this series would be based on the manga, but that we would get anime-original "detective girls" stories in the second half (or so). I'm glad to see that we will have at least one more episode to get Chiko back to safety, rather than ending an arc at its crisis.

I just hope the new episodes will have as much oomph as the ones from the manga have had. How many times do you see a roomful of extras just suddenly offed like the guests were on the ship? How often do you see people dangling from aircraft and performing Houdini acts to get free. How often do you see one of the main characters keep appearing to die? And how often do you see the kind of determination -- portrayed in animation and voice-acting -- that Chiko shows here? And how often do you see such a vicious enemy, or feel such sympathy for her?
Read full post...

Tuesday, July 08, 2008

Hidamari Sketch character/seiyuu pics

I've updated my page with pics of the characters and seiyuus in Hidamari Sketch x365. It now includes not only the four main characters and Yoshinoya-sensei, but also Chika, Natsume, Landlady-san, and Ume-sensei.

Here's a photo of the four main seiyuu, along with the mangaka, Aoki Ume, who plays the little green "Ume-sensei" character (click to enlarge a bit).


(l-r): Gotou Yuuko (Hiro), Mizuhashi Kaori (Miyako), mangaka Aoki Ume (Ume-sensei), Asumi Kana (Yuno), Shintani Ryoko (Sae).

And here's what the page itself looks like:



As for the show itself, I was blown away by episode one: artistic, funny, and touching. I didn't finish the first season, feeling I had got all the show had to give. But my enjoyment has been refreshed by the first episode of the new series.
Read full post...

Sunday, July 06, 2008

Amuri in Star Ocean 01 -- weird gem of moe science-fiction

Now that there is a fansub for this show, perhaps it will begin to get the attention it deserves.

Hoshi no Umi no Amuri 星の海のアムリ is a three-episode OVA done almost entirely in 3DCG, including the characters. I would call it a moe science-fiction fantasy: it's real moe, and real science fiction.

What hooks me about this show are the unusual characters, the moe voice acting and character design, the real science-fiction setting and plot (fantastic as they are), the overall production values, and the general weirdness.

There are some great scenes, including brilliant explosions and light-show battles in space; and unique visual settings, such as the bizarre landforms of a satellite constructed from garbage. The 3DCG is excellent. The music works beautifully. The sound effects are particularly well done. And the direction is fascinating, with interesting angles and motion and timing. (click images to enlarge, mouseover for captions)

Region Free logo space station destroyed

There is plenty of comedy in the show, but some serious undertones, as well. It is set in a near future in which the Earth and its inhabitants have been changed by a period of strong solar radiation. Many people have died from skin cancer, and many babies have been born with special physical characteristics that make them stronger than normal humans.

These new humans are called Adapters, because they can adapt to almost any condition, including being able to live for a time in the vacuum of outer space. A new global government has arisen, called Region Free, to deal with the crisis.

Amuri cast out into space Amuri approaches the Uterus pod

The director/writer/storyboarder is Yonetani Yoshitomo 米たにヨシトモ. His previous directing jobs were Betterman and Brave King Gaogaigar, but he did storyboards for Gundam Seed Destiny, Planetes, Banner of Stars, Shakugan no Shana, and even numerous Doraemon shows. This, however, is entirely his show: he even voices a character (the leader of the rescue squad) and sings an insert song (credited as "※-mai-") .

Amuri arrives in Uterus and makes contact with Perrier Perrier La Mer (Saitou Momoko)

The character design and modelling are by MA@YA, who worked on the LoveDeath and Shining Force EXA games, as well as the new 3D Custom Shoujo game. The science fiction advisor was Morita Shigeru, who was involved in the early stages of several Gundam shows, as well as Code Geass and Toward the Terra. The animation studio is Studio Hibari, which did Moonlight Mile, Kashimashi, and Sumomomo Momomo, as well as helping on Ghibli productions.

The excellent sound effects are by Noguchi Toru, also a Ghibli veteran, who did sound effects not only for Spirited Away and Howl's Moving Castle, but also for both the original Evangelion series and the new movie. Music is by Kubota Mina, who did music for Kaleidostar and Kannazuki no Miko, and wrote OPs for various ARIA shows. Sound director Nagano Toru has done many shows, including KareKano, Glass Mask, and FLCL.

'jellyfish' pass through Amuri in the Uterus a huge metal scoop arm passes right through Amuri

the story

Our heroine, Kakkyoin Amuri, is a 13-year-old Adapter who has lived a hard life on Earth. She has the strange "allergy" of rejecting all outside stimuli. Whenever she touches anything, she or it bounces away in a shower of light, due to her "repulsion allergy." It's like a full-body sneeze. Her condition killed her mother when she was born. She was never able to touch the grandmother who brought her up. Her clothing had to be made from fabric derived from her own cells. She had no friends. Everyone laughed at her.

Maria holding Pulmo on Pearl Shell Pulmo gives orders

We meet her when she is just just arriving at a space station to begin life in space, working with Region Free (at least I think that's why she's there). As she arrives, the shuttle and the space station are attacked and destroyed and she is hurled out into space.

This is the first of many wtf moments in the show: how can anyone survive unprotected in space? Adapters can, however, and Amuri bounces around the detritus until she bounces into a spherical life-support capsule, like a big organic cell, which is called "Uterus." Inside it are a girl with an eyepatch, sitting in a chair, and a robot avatar that looks like a stuffed bunny. Are you with me so far, lol?

the Pearl Shell command station special squadron Q9 do an impromptu commercial for Region Free

There are some amazing scenes in the capsule, which is filled with a fluid that allows people in it to breathe. Things like jellyfish float around -- and through -- the two girls in the cell-like capsule. More wtf moments. But I like wtf moments, and these are just beautifully done, in image and music.

The capsule is picked up by automated magnetic garbage collection machines and transported to a big satellite called Galapagos, which is like a small planet made from garbage. The capsule is unceremoniously dumped into the garbage landscape, which includes forests made of trees of scrap metal, and fields covered with cake-slices made from garbage, each cake topped with a red bomb like a strawberry. Memorable images.

Suzu arrives in Uterus a plain of garbage cake on Galapagos

A huge machine prowls up to the capsule and tries to sweep it up in its bucket, but the bucket just passes through the capsule and its inhabitants, somehow. The metal arms passing through Amuri are an amazing scene.

Meanwhile, on a command ship called Pearl Shell, the commander is an Adapter called Pulmo Allen (voice: Kaneda Tomoko), who looks like a five-year-old child, and is always held in the arms of a woman dressed as a nurse (voice: Noto Mamiko). The amazing images just keep coming. Commander Pulmo sends out a tokusatsu-like squadron to rescue the survivors from the destroyed space station (which was called Pink Coral). They go out in a blaze of song and confidence, launched by being shot, spinning, out of big guns. wtf.

Amuri transformed Amuri determined

They manage to drive off the garbage collecting machine, but hordes of new machines show up and the poor heroes are smashed and scattered. As a magnetic drill is about to destroy the capsule, Amuri finds a button that she can actually touch without repelling and discovers the true strength of her ability to repel things: she transforms into a mahou shoujo-like creature, dressed in ribbons that make her like a huge avenging butterfly/sunflower in space. Her sunflower clothing is also made from her own cells. By repelling all attacks back on the attackers, she lays waste a large swath of Galapagos.

But the episode ends with the news that the capsule has run out of oxygen. The preview for episode 2 says that Amuri and friends will "invade" the garbage satellite in search of air.

the enemy's pinball energy attack Amuri in her glory

On the AnimeSuki forum, there was some criticism of underage fanservice in this show. I guess there is some -- distant pantsu in the ED, a mahou shoujo transformation that implies nudity before the ribbons of the new garment cover it. But this is really at the level of Nanoha, and not unusual for a moe anime.

great sunflower Amuri

Some people may not like the voices, but that is a matter of taste. These are high moe voices. It took me a while to get used to Makino Yui's squeaks of pain as Amuri bounced among detritus in space. But the voice ended up working for me. Saitou Momoko uses a deeper, soft voice as the girl in the chair (Perrier). She has a couple of beautifully delivered lines. And even 15-year-old Aizawa Michiru, who was the harsh-voiced Furoe in Simoun, and enters the capsule as a third inhabitant (called Suzu), seems to have a somewhat softer voice this time.

There is a slight hint of yuri, as Amuri drifts into the other two girls lip-to-lip when they each first meet, and comments on how cute the blushing Perrier is.

Anyway, have a look at the show. This is one of those shows that some people will just dismiss out of hand, but that a few of us will love. Or maybe it's just me, lol. I had been looking forward to this show, but even I was pretty non-plussed at first. Having a sub makes things easier to understand.

If you want an idea of where the weirdness comes from, just take a look at the director, Yonetani Yoshitomo, right.

As a countermeasure to that, here are photos of the main cast (l-r) Makino Yui (Amuri), Saitou Momoko (Perrier), Aizawa Michiru (Suzu):

makino yui saitou momoko aizawa michiru

This first episode came out in Japan in May. Episode 2 is due July 25, with episode 3 to follow on September 26.
Read full post...